Pesquisando por: "ABRAHAM BOSSE" - Fotoarena - Agência de fotojornalismo

alb3670624 The Ratcatcher. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 8 9/16 × 5 7/8 in. (21.8 × 14.9 cm)Plate: 8 3/8 x 5 11/16 in. (21.3 x 14.4 cm). Series/Portfolio: Cries of Paris(Les Cris de Paris). Date: mid to late 17th century."A noble gentleman who in combat made the whole earth tremble,Through a misfortune of war goes crying death to rats."Bosse, who wrote a treatise on etching based on the innovations of Jacq"ues Callot-with whom he had worked-and who developed a new means of perspective construction that he taught in the French Royal Academy for over a decade, is best known for his numerous prints of everyday Parisian life. In his series of twelve itinerant tradesmen, the crisp and controlled etched line and the precisely defined spatial settings lend polish to the figures, even to the ragged, peg-legged rat catcher. Museum: Metropolitan Museum of Art, New York, USA.

alb3725098 L'Infirmerie de l'hospital de la Charite de Paris. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3663352 The Surgeon (La Saignée). Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: sheet: 10 1/4 x 13 7/16 in. (26 x 34.2 cm). Publisher: Published by Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: Trades (Les Métiers). Date: 1632. Museum: Metropolitan Museum of Art, New York, USA.

akg7765655 Europe, France, printing house ( gravure printing ) , by Abraham Bosse , 17th century .

akg5857495 Engineering / Metals / Iron and Steel:. Berlin-Kreuzberg, iron foundry A. Salinger, Luisenufer 44 (today Segitzdamm):. - Inside view: view into the office of the management; at the desk A. Salinger (?). - Photo, June 1937 (Abraham Pisarek).

akg5857496 Engineering / Metals / Iron and Steel:. Berlin-Kreuzberg, iron foundry A. Salinger, Luisenufer 44 (today Segitzdamm):. - Inside view: view into the office of the management; at the desk A. Salinger (?). - Photo, June 1937 (Abraham Pisarek).

akg253875 Handwerk und Gewerbe:. Konditor. "Der Konditor". Kupferstich von Abraham Bosse. (1602-1676), spätere Kolorierung.

alb9871306 Decorative features from the eras of Louis XIII, Louis XIV, the Sun King, and Louis XVI. Cartouche by Abraham Bosse, panel from a door in Versailles Palace, painting by Jacques de la Joue. Loeuvre de Bosse, panneau de porte du palais de Versailles, oeuvre de la Joue. Chromolithograph designed and lithographed by Ernst Guillot from Elements d'Ornementation du XVIIe, et XVIIIe Siecle, Elements of Ornament of the 17th and 18th century, Renouard, Paris, 1890.

alb9871777 Archway with columns in the Corinthian order. Corintia. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9876313 Portal with pilaster in the Corinthian order. Corintia. Copied from Abraham Bosse's Représentations géométrales. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9878946 Portal or door in the Composite order. Composito. Portal in Kompositordnung. Copied from Abraham Bosse's Représentations géométrales. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9875643 Profiles of Tuscan, Doric and Ionic order columns. Toscana, Dorica, Ionica. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9871043 Arches in the Doric, Ionic, Corinthian and Composite orders. Dorica, Ionica, Corinthia und Composita. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9876267 Ionic order column with entablature. Ionica. Copied from Abraham Bosse's Des ordres des colonnes. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9870097 Doric order column with entablature. Dorische Säule mit Gebälkstücken. Copied from Abraham Bosse's Des ordres des colonnes. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9875935 Doric Order portal or door with pilasters. Dorisches Portal mit Pilaster. Copied from Abraham Bosse's Représentations géométrales. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9874731 Portico with columns in the Ionic order. Ionica. Bogengang mit Säulen in jonischer Ordnung. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9874646 Doric order column with entablature. Dorische Säule mit Gebälkstücken. Copied from Abraham Bosse's Des ordres des colonnes. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9881737 Ionic order capital. Ionica. Jonischen Kapitell. Copied from Abraham Bosse's Traité des manières de dessiner. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb9880956 Column and entablature in the Composite order. Composita. Copied from Abraham Bosse's Des ordres des colonnes. Copperplate engraving by Johann Franck from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

alb3627812 The Shoemaker. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 11 5/16 × 14 7/16 in. (28.7 × 36.6 cm)Plate: 10 1/4 × 13 1/16 in. (26.1 × 33.2 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: Trades(Les Métiers). Date: 1632-33. Museum: Metropolitan Museum of Art, New York, USA.

alb2065585 Hearing, from the Five Senses series, ca 1635, painted by an unknown artist on an engraving by Abraham Bosse (1604-1676). Detail. France, 17th century. Location: Tours, Musée Des Beaux-Arts (Picture Gallery).

alb2279906 Ladies in conversation in the absence of their husbands, 17th century, painting by an unknown artist based on an engraving by Abraham Bosse (1602-1676). Location: Ecouen, Château, Musée De La Renaissance (Art Museum).

alb1886885 France, 17th century. Series of the Five Senses. The sense of smell, around 1635. Painting by unknown artist after engraving by Abraham Bosse (1604-1676). Detail. Location: Tours, Musée Des Beaux-Arts (Picture Gallery).

akg5839953 Le costume historique / Albert Racinet (1825-1893) / France / Paris / Louis XIII. "FRANCE. - XVIIe siècle. - Les Modes sous Louis XIII. Un contrat de mariage. - La Galerie du Palais". "Le costume historique", 1888, tome V, planche 329. Le contrat de mariage, d'après l'estampe "Le contrat" parue en 1633, de six estampes intitulées "Mariage à la ville" d'Abraham Bosse (1602-1676). La Galerie du Palais, d'après une estampe d'Abraham Bosse (1602-1676). Boutique de lingère (à droite), de mercier et la boutique d'Augustin Courbé (à gauche), libraire du roi. La femme du libraire offre à un cavalier la "Marianne" de Tristan l'Hermite, une tragédie au succès prodigieux au théâtre du Marais en 1636. "Le costume historique. Cinq cents planches, trois cents en couleurs, or et argent. Deux cent en camaïeu. Types principaux du vêtement et de la parure rapprochés de ceux de l'intérieur de l'habitation dans tous les temps et chez tous les peuples, avec de nombreux détails sur le mobilier, les armes, les objets usuels, les moyens de transport, etc.". Recueil publié sous la direction de M. A. Racinet. Paris, Librairie de Firmin-Didot et Cie., 1888. 6 vol., fig. et pl. en noir et en coul., in-gol. Collection privée. Author: ABRAHAM BOSSE. SAINT-ELME GAUTIER.

alb1948587 Town costumes, woman and child, reign of Louis XIII, 1633. Handcoloured steel engraving by Polidor Pauquet after Abraham Bosse (1604-1676) from the Pauquet Brothers' "Modes et Costumes Historiques" (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

alb1943786 Woman of France, 16th century, from an engraving by Abraham Bosse (1602-1676). Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F. Laguillermie, from Georges Duplessis's "Costumes historiques des XVIe, XVIIe et XVIIIe siecles" (Historical costumes of the 16th, 17th and 18th centuries), Paris 1867. The book was a continuation of the series on the costumes of the 12th to 15th centuries published by Camille Bonnard and Paul Mercuri from 1830. Georges Duplessis (1834-1899) was curator of the Prints department at the Bibliotheque nationale. Edmond Lechevallier-Chevignard (1825-1902) was an artist, book illustrator, and interior designer for many public buildings and churches. He was named professor at the National School of Decorative Arts in 1874.

alb1944232 French woman, 17th century, from a painting by Abraham Bosse. Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F. Laguillermie, from Georges Duplessis's "Costumes historiques des XVIe, XVIIe et XVIIIe siecles" (Historical costumes of the 16th, 17th and 18th centuries), Paris 1867. The book was a continuation of the series on the costumes of the 12th to 15th centuries published by Camille Bonnard and Paul Mercuri from 1830. Georges Duplessis (1834-1899) was curator of the Prints department at the Bibliotheque nationale. Edmond Lechevallier-Chevignard (1825-1902) was an artist, book illustrator, and interior designer for many public buildings and churches. He was named professor at the National School of Decorative Arts in 1874.

akg281697 Liebe und Ehe / Hochzeit:. Aussteuer. "Les Présents a la mariée". (Hochzeitsgeschenke). Kupferstich von Abraham Bosse (1602-1676). Aus der Folge: La Mariage a la campagne.

akg867546 Bosse, Abraham "Portrait de femme brodant, assise dans un fauteuil" (Bildnis einer stickenden Frau in einem Lehnstuhl), undat. Rötelzeichnung, 29 x 22 cm. Inv.Nr. RF81recto. Museum: Musée du Louvre., Paris.

alb3716095 The Siege of La Rochelle [plate 1 of 16; set comprises 1952.8.97-112]. Dated: 1628/1631. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Jacques Callot and Abraham Bosse.

alb3717834 The Siege of La Rochelle [plate 16 of 16; set comprises 1952.8.97-112]. Dated: 1628/1631. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Israel Henriet or Abraham Bosse after Jacques Callot.

alb3649944 A gentleman walking forward, his face in profile to the left, holding his glove in his right hand and wearing a hat, a fur jacket, and shoes with ribbons. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris); After Jean de Saint-Igny (French, Rouen ca. 1595/1600-1647 Paris). Dimensions: Sheet: 5 11/16 × 4 1/16 in. (14.5 × 10.3 cm)Plate: 5 1/2 × 3 3/4 in. (14 × 9.5 cm). Series/Portfolio: The Garden of the French Nobles In Which One Can Pick Up Their Way of Dressing(Le Jardin de la Noblesse Française dans lequel ce peut ceuillir leur maniere de Vettements). Date: 1629. Museum: Metropolitan Museum of Art, New York, USA.

alb3725169 Le noble peintre. Dated: 1642. Dimensions: plate: 9 7/8 x 12 11/16 in. (25.1 x 32.2 cm) sheet: 26.4 x 33.3 cm (10 3/8 x 13 1/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3725819 The Siege of La Rochelle [plate 15 of 16; set comprises 1952.8.97-112]. Dated: 1628/1631. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Michel Lasne and Abraham Bosse.

alb9519486 In an interior, a wealthy man sits at a table with his family and guests. Through the doorway on the right, the beggar Lazarus can be seen, whose sores are being licked by a dog. On the left from top to bottom three smaller representations depicting the death of Lazarus, his ascension and burial. On the right, three smaller representations showing the death of the rich man, the rich man in hell, and his burial. After the biblical story in Luke 16: 19-25, Lazarus and the Rich Man Who despises God's poor here, awaits syn retribution , print maker: Pieter Nolpe, Abraham Bosse, (mentioned on object), publisher: Claes Jansz. Visscher (II), (mentioned on object), Amsterdam, 1623 - 1652, paper, etching, engraving, h 416 mm × w 524 mm.

alb9503850 Left: dwarf, seen from the front, playing a guitar, a hat with two feathers on the head. Right: dwarf, seen from the front, a hat with two feathers on the head, a mask in front of the face, the left hand at the hilt of his sword. These two prints, printed side by side on 1 sheet, are part of a series of 21 prints (printed on 11 sheets, so except for the title print always 2 plates per sheet) with grotesque figures, almost all of these figures are dwarfs, many are hunchbacks, Dwarf with guitar, Dwarf with sword and mask Varie figure gobbi di Jacopo Callot (series title) Various grotesque figures (series title) Dwarfs and hunchbacks (series title), Jacques Callot, print maker: Abraham Bosse, Paris, 1621 - 1676, paper, etching, engraving, h 61 mm × w 84 mm, h 62 mm × w 85 mm, h 151 mm × w 278 mm.

alb9487715 Left: dwarf, seen on left side, with hunchback, playing a lute, hat with two feathers on head, sword on his right side. Right: dwarf, seen on the right side, with a drooping belly over which runs a row of buttons, a top hat with feathers on the head, the right hand at the hilt of his sword, a walking stick in the left hand. These two prints, printed side by side on 1 sheet, are part of a series of 21 prints (printed on 11 sheets, so except for the title print always 2 plates per sheet) with grotesque figures, almost all of these figures are dwarves, many are hunchbacks, Dwarf with lute and sword, Dwarf with sword and walking stick Varie figure gobbi di Jacopo Callot (series title) Various grotesque figures (series title) Dwarves and hunchbacks (series title), Jacques Callot, print maker: Abraham Bosse, Paris, 1621 - 1676, paper, etching, engraving, h 57 mm × w 85 mm, h 64 mm × w 82 mm, h 155 mm × w 278 mm.

alb9399028 Title Page for the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, c. 1635-1640, Abraham Bosse; Artist: or François Collignon, French, 1602-1676, 3 1/2 × 3 in. (8.89 × 7.62 cm) (sheet)18 7/8 × 22 7/8 × 3/4 in. (47.94 × 58.1 × 1.91 cm) (outer frame), Etching, France, 17th century.

alb3673981 The School Master. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 10 1/16 × 12 3/4 in. (25.5 × 32.4 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: ca. 1638. Museum: Metropolitan Museum of Art, New York, USA.

alb3649634 Employment Bureau. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 11 1/8 × 14 1/2 in. (28.3 × 36.9 cm)Plate: 10 3/16 × 13 1/4 in. (25.8 × 33.6 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: Trades (Les Métiers). Date: 1633. Museum: Metropolitan Museum of Art, New York, USA.

alb3605784 Wives at Table During the Absence of their Husbands. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 10 1/4 × 13 3/8 in. (26 × 34 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: ca. 1636. Museum: Metropolitan Museum of Art, New York, USA. Author: ABRAHAM BOSSE.

alb3718745 Banquet Given by the King to the New Knights. Dated: 1633. Dimensions: sheet (trimmed to plate mark): 27.2 x 34.5 cm (10 11/16 x 13 9/16 in.). Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3681906 La Pucelle d'Orléans. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris); Gilles Rousselet (French, Paris 1614-1686 Paris); After Claude Vignon (French, Tours 1593-1670 Paris). Dimensions: sheet: 13 7/16 x 8 7/16 in. (34.2 x 21.4 cm). Series/Portfolio: Galerie des Femmes fortes. Date: 1647. Museum: Metropolitan Museum of Art, New York, USA. Author: ABRAHAM BOSSE. after Claude Vignon. Gilles Rousselet.

alb3604822 Zénobie. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris); Gilles Rousselet (French, Paris 1614-1686 Paris); After Claude Vignon (French, Tours 1593-1670 Paris). Dimensions: sheet: 13 3/8 x 8 3/8 in. (34 x 21.2 cm). Publisher: Published by Pierre Mariette (French, 1596-1657). Series/Portfolio: Galerie des Femmes fortes. Date: 1647. Museum: Metropolitan Museum of Art, New York, USA. Author: ABRAHAM BOSSE. after Claude Vignon. Gilles Rousselet.

akg369809 Bosse, Abraham ; 1602-1676. "L'Odorat", v. 1635. Peinture, anonyme, d'ap. gravure sur cuivre de la série "Les cinq sens". d'Abraham Bosse. Tours, Musée des Beaux-Arts. Museum: Tours, Musée des Beaux-Arts.

alb3727026 A Sculptor in His Atelier. Dated: 1642. Dimensions: plate: 25.8 x 32.5 cm (10 3/16 x 12 13/16 in.) sheet: 26 x 32.6 cm (10 1/4 x 12 13/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3491113 Louis XIII Listens to the Provost of the Merchants of Paris on December 23, 1628, 1629, Etching and engraving, Sheet (trimmed): 11 1/4 × 9 1/16 in. (28.6 × 23 cm), Prints, Abraham Bosse (French, Tours 1602/16041676 Paris), This plate was the frontispiece for a publication celebrating the triumphant return to Paris of King Louis XIII following the Siege of La Rochelle. In this formally constructed scene, the king is shown seated in a chair while Christophe Sanguin, the provost of the Merchants of Paris, and other officials kneel before him.

alb3630078 The Wife-Beater. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 10 3/16 × 13 1/8 in. (25.8 × 33.3 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: ca. 1633. Museum: Metropolitan Museum of Art, New York, USA. Author: ABRAHAM BOSSE.

alb3672403 The French Forces: Louis XIII and Gaston d'Orléans. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 7 1/16 × 15 13/16 in. (18 × 40.2 cm). Publisher: Pierre Mariette (French, 1596-1657). Date: ca. 1630. Museum: Metropolitan Museum of Art, New York, USA. Author: ABRAHAM BOSSE.

alb3643188 Visit to the New Mother. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 10 3/8 × 13 9/16 in. (26.4 × 34.5 cm). Publisher: Melchior Tavernier (French (born Flanders), Antwerp 1564-1641 Paris). Series/Portfolio: Marriage in the City(Le Mariage à la ville). Date: 1633. Museum: Metropolitan Museum of Art, New York, USA.

alb3726943 Ceremony of the Contract of Marriage between Vladislas IV, King of Poland, and LouiseMarie of Gonzaga, Princess of Mantua, at Fontainbleau. Dated: 1645. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3667584 Clothing Beggars (Vêtir les nus). Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: sheet: 11 1/8 x 14 in. (28.2 x 35.5 cm)plate: 10 7/16 x 13 in. (26.5 x 33 cm). Series/Portfolio: Les OEuvres de miséricorde, no.6. Museum: Metropolitan Museum of Art, New York, USA.

alb3670002 Courtier Following Edict Against Superfluity in Dress (Le Courtisan suivant le dernier édit). Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: sheet: 9 13/16 x 7 13/16 in. (24.9 x 19.8 cm). Publisher: Published by Jean I Leblond (French, ca. 1590-1666 Paris). Date: mid-17th century. Museum: Metropolitan Museum of Art, New York, USA. Author: ABRAHAM BOSSE.

alb3678183 Spring. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 10 3/16 × 12 15/16 in. (25.8 × 32.8 cm). Publisher: Published by Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: The Four Seasons(Les Quatre Saisons). Date: 1635-37. Museum: Metropolitan Museum of Art, New York, USA.

alb3742771 The Prodigal Son Bids Farewell to His Father. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3667869 Winter. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 10 5/16 × 12 15/16 in. (26.2 × 32.8 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: The Four Seasons(Les Quatres Saisons). Date: ca. 1637. Museum: Metropolitan Museum of Art, New York, USA.

akg8450913 Abraham Bosse. Louis XIII Receiving a Deputation of Magistrates, Date unknown. Print, Etching and engraving. Inv. No. 1925.626, Cleveland, Museum of Art.

alb3632302 The Gallery of the Palace of Justice. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 9 7/8 × 12 9/16 in. (25.1 × 31.9 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: ca. 1638. Museum: Metropolitan Museum of Art, New York, USA.

alb3673151 Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault. Artist: Melchior Tavernier (French (born Flanders), Antwerp 1564-1641 Paris); Pierre Firens I (Flemish, Antwerp 1580-1638 Paris); After Abraham Bosse (French, Tours 1602/1604-1676 Paris). Author: Jean-Baptiste de Machault (French, 17th century). Dimensions: Sheet: 11 3/4 × 8 9/16 in. (29.8 × 21.7 cm)Plate: 11 1/8 × 7 15/16 in. (28.2 × 20.1 cm). Date: 1629. Museum: Metropolitan Museum of Art, New York, USA.

alb3628061 Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault. Artist: Melchior Tavernier (French (born Flanders), Antwerp 1564-1641 Paris); Pierre Firens I (Flemish, Antwerp 1580-1638 Paris); After Abraham Bosse (French, Tours 1602/1604-1676 Paris). Author: Jean-Baptiste de Machault (French, 17th century). Dimensions: Sheet: 11 11/16 × 8 1/8 in. (29.7 × 20.6 cm)Plate: 11 1/8 × 7 1/2 in. (28.2 × 19.1 cm). Date: 1629. Museum: Metropolitan Museum of Art, New York, USA.

alb3653110 Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault. Artist: Melchior Tavernier (French (born Flanders), Antwerp 1564-1641 Paris); Pierre Firens I (Flemish, Antwerp 1580-1638 Paris); After Abraham Bosse (French, Tours 1602/1604-1676 Paris). Author: Jean-Baptiste de Machault (French, 17th century). Dimensions: Sheet: 11 7/8 × 8 9/16 in. (30.1 × 21.7 cm)Plate: 11 5/16 × 7 15/16 in. (28.7 × 20.2 cm). Date: 1629. Museum: Metropolitan Museum of Art, New York, USA.

alb3659281 Return from the Christening. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 10 5/16 × 13 1/4 in. (26.2 × 33.6 cm). Series/Portfolio: Marriage in the City(Le Mariage à la ville). Date: 1633. Museum: Metropolitan Museum of Art, New York, USA.

alb3644418 Design for a float, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault. Artist: Melchior Tavernier (French (born Flanders), Antwerp 1564-1641 Paris); Pierre Firens I (Flemish, Antwerp 1580-1638 Paris); After Abraham Bosse (French, Tours 1602/1604-1676 Paris). Author: Jean-Baptiste de Machault (French, 17th century). Dimensions: Sheet: 8 5/8 × 11 13/16 in. (21.9 × 30 cm)Plate: 7 13/16 × 11 in. (19.9 × 28 cm). Date: 1629. Museum: Metropolitan Museum of Art, New York, USA.

alb3634992 Two Marauders. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 7 5/16 x 4 1/2 in. (18.5 x 11.4 cm)Plate: 7 1/8 x 4 3/8 in. (18.1 x 11.1 cm). Series/Portfolio: The French Guards(Les gardes françaises). Date: mid to late 17th century. Museum: Metropolitan Museum of Art, New York, USA.

alb3737610 Gentry Visiting a Prison. Dimensions: sheet (trimmed to plate mark): 25.4 x 32.2 cm (10 x 12 11/16 in.). Medium: engraving with etching. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3654791 The Intaglio Printers. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 10 3/16 in. × 13 in. (25.8 × 33 cm). Date: 1642. Museum: Metropolitan Museum of Art, New York, USA.

alb2648812 Abraham Bosse (French, 1602-1676) after Claude Vignon (French, 1593 - 1670). Coronation of Charles VII at Reims, ca. 1657. From Joan of Arc, or France Liberated (La Pucelle ou La France delivrée). Engraving on laid paper. Plate: 260 mm x 182 mm (10.24 in. x 7.17 in.).

alb3497944 Zenobia, an illustration from Pierre Le Moyne's 'La Gallerie des femmes fortes', ca. 1647, Etching and engraving, Sheet (trimmed): 13 7/16 × 8 1/2 in. (34.1 × 21.6 cm), Prints, Abraham Bosse (French, Tours 1602/16041676 Paris), Gilles Rousselet (French, Paris 16141686 Paris), After Claude Vignon (French, Tours 15931670 Paris).

alb3639393 Earth. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 5 13/16 × 4 5/16 in. (14.8 × 10.9 cm). Series/Portfolio: The Four Elements(Les quatre éléments). Date: 1630. Museum: Metropolitan Museum of Art, New York, USA.

alb3675174 Lucrèce. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris); Gilles Rousselet (French, Paris 1614-1686 Paris); After Claude Vignon (French, Tours 1593-1670 Paris). Dimensions: sheet: 13 5/16 x 8 1/4 in. (33.8 x 21 cm). Publisher: Published by Pierre Mariette (French, 1596-1657). Series/Portfolio: Galerie des Femmes fortes. Date: 1647. Museum: Metropolitan Museum of Art, New York, USA.

alb3611275 Une Dame de Chypre. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris); Gilles Rousselet (French, Paris 1614-1686 Paris); After Claude Vignon (French, Tours 1593-1670 Paris). Dimensions: sheet: 13 3/8 x 8 7/16 in. (34 x 21.4 cm). Publisher: Published by Pierre Mariette (French, 1596-1657). Series/Portfolio: Galerie des Femmes fortes. Date: 1647. Museum: Metropolitan Museum of Art, New York, USA.

alb3647502 Fire. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 5 11/16 x 4 3/16 in. (14.5 x 10.7 cm). Series/Portfolio: The Four Elements(Les quatre éléments). Date: ca. 1630. Museum: Metropolitan Museum of Art, New York, USA.

alb3648742 Water. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 5 15/16 × 4 5/16 in. (15.1 × 11 cm). Series/Portfolio: The Four Elements(Les quatre éléments). Date: ca. 1630. Museum: Metropolitan Museum of Art, New York, USA.

alb1947134 Lord, reign of Louis XIII, 1633. Handcoloured steel engraving by Hippolyte Pauquet after "Le Bal" by Abraham Bosse (1604-1676) from the Pauquet Brothers' "Modes et Costumes Historiques" (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

alb1945185 French costumes, reign of Louis XIII, 1633. Handcoloured steel engraving by Polidor Pauquet after "Le Bal" by Abraham Bosse (1604-1676) from the Pauquet Brothers' "Modes et Costumes Historiques" (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.

alb5138253 Artist: Abraham Bosse, French, 16021676, Ecclesia, Etching, image: 6.6 × 4.6 cm (2 5/8 × 1 13/16 in.), Made in France, French, 17th century, Works on Paper - Prints.

alb5058179 Abraham Bosse, (artist), French, 1602 - 1676, Jacques Callot, (artist), French, 1592 - 1635, Priest Carrying the Holy Sacrament of the Eucharist, etching.

alb3732324 Louis XIII as Hercules. Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3745395 Illustration to Jean Desmarets' "L'Ariane". Dated: published 1639. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Abraham Bosse after Claude Vignon.

alb3729417 Illustration to Jean Desmarets' "L'Ariane". Dated: published 1639. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Abraham Bosse after Claude Vignon.

alb3729190 Illustration to Jean Desmarets' "L'Ariane". Dated: published 1639. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Abraham Bosse after Claude Vignon.

alb3728430 Adolescence. Dated: 1636. Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3729029 Illustration to Jean Desmarets' "L'Ariane". Dated: published 1639. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Abraham Bosse after Claude Vignon.

alb2282957 The view, 17th century, painting by an unknown artist based on an engraving by Abraham Bosse (1602-1676). Location: Tours, Musée Des Beaux-Arts (Picture Gallery).

alb3717163 Illustration to Jean Desmarets' "L'Ariane". Dated: published 1639. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Abraham Bosse after Claude Vignon.

alb3714920 Illustration to Jean Desmarets' "L'Ariane". Dated: published 1639. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Abraham Bosse after Claude Vignon.

alb3719457 Michel Larcher. Dated: 1647. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3718372 Illustration to Jean Desmarets' "L'Ariane". Dated: published 1639. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Abraham Bosse after Claude Vignon.

alb3707697 Childhood. Dated: 1636. Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3723043 March of the King and Knights of the Holy Spirit in the Courtyard at Fontainebleau. Dated: 1633. Dimensions: sheet (trimmed to plate mark): 27.2 x 35.5 cm (10 11/16 x 14 in.). Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3682550 The Wise Virgins Resting Whilst Awaiting the Arrival of The Husband. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 10 3/16 × 12 13/16 in. (25.8 × 32.5 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: The Wise and The Foolish Virigins(Les vierges sages et les vierges folles). Date: ca. 1635. Museum: Metropolitan Museum of Art, New York, USA.

alb3705159 Jacques Callot. Dated: in or after 1635. Dimensions: plate: 24.2 x 14 cm (9 1/2 x 5 1/2 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

alb3704336 Title Page to Jean Desmarets' "L'Ariane". Dated: published 1639. Dimensions: page size: 14 1/4 x 10 3/16 in. (36.2 x 25.9 cm) plate: 7 1/2 x 5 7/8 in. (19 x 14.9 cm). Medium: etching with engraving. Museum: National Gallery of Art, Washington DC. Author: Abraham Bosse after Claude Vignon.

alb4893557 Abraham Bosse, De la maniere de graver a l'eauforte et au burin, et de la gravure in maniere noire.Nouvelle édition augmentée, Abraham Bosse (French, Tours 1602/16041676 Paris), 1758, Books.

alb4879164 Abraham Bosse, French, 16021676, Le Prévôt des Marchands: Frontispiece to La triomphante réception du roi, 16121676, Etching and engraving on laid paper, image: 11 3/16 x 9 in. (28.4 x 22.9 cm).

akg386722 Louis XIV ; roi de France (1643-1715) ; 1638-1715. Naissance de Louis XIV, le 9 septembre 1638 ; Anne d'Autriche présente le dauphin à la cour (représentation allégorique). Gravure sur cuivre, 1638, d'Abraham Bosse (1602-1676). Paris, Bibliothèque Nationale. Museum: Paris, Bibliothèque Nationale.

alb3495492 Man Singing and Playing a Lute, mid to late 17th century, Etching, Sheet (trimmed): 8 5/16 × 5 11/16 in. (21.1 × 14.4 cm), Prints, Abraham Bosse (French, Tours 1602/16041676 Paris).

alb3526714 Allegories in Honor of the Birth of the Dauphin, ca. 1638, Etching, Sheet: 14 1/8 x 3 7/8 in. (35.8 x 9.8 cm), Prints, Abraham Bosse (French, Tours 1602/16041676 Paris).

alb3196886 Dwarf with guitar; Dwarf with sword and mask, Jacques Callot, Abraham Bosse, 1621 - 1676.